Review: Rhiannon Giddens considers the meaning of home

Rhiannon Giddens with Francesco Turrisi, 'œThey're Calling Me Home" (Nonesuch)

Rhiannon Giddens' new album masterfully mixes the music of Ireland, Italy, Appalachia and heaven.

A year of death and lockdown left Giddens thinking about home and all the word means. That inspired 'œThey're Calling Me Home,'ť a 12-tune travelogue that shrinks the world by covering lots of ground, with the great beyond always nearby.

Giddens and Italian multi-instrumentalist Francesco Turrisi both live in Ireland and recorded the album near Dublin, which accounts for the set's Celtic underpinning.

Their reinvention of 'œAmazing Grace'ť possesses the gentle beauty of the Irish countryside, with Giddens' evocative humming supported by a frame drum and uilleann pipes. On the title cut she's mournful but hopeful, contemplating transfiguration and accompanied by an accordion's drone, while the somber ballad 'œWhen I Was In My Prime'ť will inspire another round at the pub.

The music never stays in one place for long. 'œNenna Nenna'ť is a charming Italian lullaby, and the 1920s fiddle tune 'œWaterbound'ť is performed as a campfire singalong, with stellar support from Congolese guitarist Niwel Tsumbu.

Banjo, viola and whistle further connect the musical roots, as does the powerhouse instrument that is Giddens' voice, her arresting alto vibrato soaring with amazing grace.