A 300th episode is a milestone extremely few series get to celebrate. Maybe that doesn't seem as surprising for a drama that has spent much of its run heralded as "the most popular show in the world," but it's a major moment for "CSI: Crime Scene Investigation" nevertheless.
The globally successful Anthony E. Zuiker-created procedural -- which inspired much of what CBS' prime-time schedule has looked like for the past decade-plus -- marks the event Wednesday, Oct. 23, with a story that acknowledges "CSI" history in a number of ways. The plot revisits a cold case from the Las Vegas forensics team's early days, and founding co-star Marg Helgenberger returns as Catherine Willows.
Airs 9 p.m. Wednesday on CBS
Paul Guilfoyle, alias Capt. Jim Brass, has been with "CSI" from the start. "It's kind of an abstract number," the actor reasons of reaching the 300th tale. "It's almost like waking up and looking in the mirror. You know time is going by. Having been in 150 different productions, this is my first television show as a regular 'regular,' so I never expected to have such a long-distance run.
"It's kind of like the work my father did, having a craft and participating in manufacturing something every day. It feels old-fashioned in a way, and there are a lot of good things about it. There are 250 workers in this production, many of them behind the scenes, and I've learned to become one of them."
Now in his third of the 14 "CSI" seasons, Emmy winner and television staple Ted Danson -- who plays ever-pensive team leader D.B. Russell -- first worked with Guilfoyle in the hit 1987 movie comedy "Three Men and a Baby." He allows he's one of the relative new kids on the "CSI" block, but he knows from his long runs on the sitcoms "Cheers" and "Becker" the significance of reaching an episode number like 300.
"I feel very clever that I joined the show when I did, so I can pretend I had something to do with this," Danson muses. "They had a cake for the crew and everybody, and (executive producer) Jerry Bruckheimer and all the CBS executives who have been part of it were all there ... and it was so sweet to look around and realize there were cast and crew members who had been there from day one.
"Besides being really good at what it does, that tells you that the people who created this did something quite amazing. They created something long-living that people want to show up and go to work for every day. Including me."
Danson appreciates that the 300th episode, also featuring Bethany Joy Lenz and Jason Priestley as guests, "really honors those characters who have been there from the start. It takes them back to the first year of the show, and they do this great thing called 'faux-backs,' instead of flashbacks. They use the actors as they are today, and Marg came in and shot some -- which tells you how remarkable she is, to still look like she did 12 years ago."
With its spinoffs "CSI: Miami" and "CSI: NY" now over, "CSI: Crime Scene Investigation" also is back to where it started in upholding the franchise alone.
Guilfoyle is pleased he's still getting new chapters of Brass' story. A big one launched the current "CSI" round, when the cop found his ex-wife killed by the deeply embittered Ellie (Teal Redmann), who had learned she wasn't his biological daughter.
"When this first started in 2000, and it achieved some success, it was funny to watch everybody run to the front of the line and take credit," Guilfoyle recalls of the series that ABC originally passed on. "And I mean everybody, from the craft-service guys to entertainment lawyers throughout Hollywood: 'I put the deal together! I did the deal!' They all wanted to be part of it, but it was so successful, it frankly overwhelmed anybody's individual participation.
"The only thing I can think is that it struck some kind of psychic chord. It hit something where people wanted this kind of answer to metaphysical problems; they wanted technology to provide the way to stop the lies that were showing up in our culture, and this particular show presented true evidence so people couldn't get away with stuff anymore. It was a place where truth could live, and I think the audience saw that and invested in it."