Will Ferrell's 'Eurovision' spoof strikes the right chords on Netflix

  • Two friends (Will Ferrell, left, and Rachel McAdams) from Iceland compete in Europe's long-running musical competition in the Netflix spoof "Eurovision Song Contest: The Story of Fire Saga."

    Two friends (Will Ferrell, left, and Rachel McAdams) from Iceland compete in Europe's long-running musical competition in the Netflix spoof "Eurovision Song Contest: The Story of Fire Saga." Courtesy of Netflix

  • Two friends (Will Ferrell, left, and Rachel McAdams) from Iceland compete in Europe's long-running musical competition in the Netflix spoof "Eurovision Song Contest: The Story of Fire Saga."

    Two friends (Will Ferrell, left, and Rachel McAdams) from Iceland compete in Europe's long-running musical competition in the Netflix spoof "Eurovision Song Contest: The Story of Fire Saga." Courtesy of Netflix

  • Russian singer Alexander Lemtov (Dan Stevens) brings the laughs in Netflix's "Eurovision Song Contest: The Story of Fire Saga."

    Russian singer Alexander Lemtov (Dan Stevens) brings the laughs in Netflix's "Eurovision Song Contest: The Story of Fire Saga." Courtesy of Netflix

 
By Lindsey Bahr
Associated Press
Posted6/25/2020 6:00 AM

"Eurovision Song Contest: The Story of Fire Saga," Will Ferrell's goofy parody of the long-running European spectacle, is the first great comedy of 2020, and it couldn't have come soon enough. There hasn't been much to laugh about lately.

The competition, which was canceled this year for the first time in its 64 years, is a peculiar fascination for those Americans who are even aware of it. I barely was. And the acts are so eccentric and over-the-top that it almost defies satire. But the film, written by Ferrell with "Saturday Night Live" veteran Andrew Steele and directed by David Dobkin ("Wedding Crashers"), isn't out for cheap shots at its expense. Instead, it's a warm riff on a subculture -- in the vein of "Anchorman" and "Talladega Nights" -- that has the potential to get better with repeat watches.

                                                                                                                                                                                                                       
 

Ferrell has had a few misses lately, but he is back in fine form here as Lars Erickssong, a middle-aged Icelandic man with wavy shoulder-length hair and a childhood dream of winning Eurovision. He's been devoted to it since seeing ABBA's winning performance of "Waterloo" in 1974. This is all much to the embarrassment of his fisherman father Erick (an amusingly unamused Pierce Brosnan).

Lars and his childhood friend Sigrit Ericksdottir (a particularly brilliant Rachel McAdams) make up Fire Saga, who sing original techno-pop anthems and occasionally covers of "Happy" at the local bar. A fluke lands the classic underdogs in competition in Iceland against the country's great Eurovision hope (played by Demi Lovato). And although each performance is more disastrous than the last, they keep advancing.

Sigrit is in love with Lars, who is charmingly delusional but more of a grown up than Ferrell's standard man-child. Still, he's too consumed with Eurovision to focus on her. There's also a running joke that she is "probably not" his sister.

McAdams and Ferrell are a joy to watch. Together they affect an innocent exuberance, enlivened by their chirpy, pseudo-Icelandic accents and colorful costumes.

The film gets a burst of funny with the introduction of Dan Stevens' Russian singer Alexander Lemtov, a highlighted Adonis with an exaggeratedly operatic baritone and a talent for braiding hair who takes a liking to Sigrit. Stevens steals every scene he's in. Who knew the "Downton Abbey" veteran had broad comedy in his arsenal of skills? A party at his overblown mansion features a massive medley of "Believe," "Ray of Light" and "Waterloo" with a bunch of actual Eurovision regulars that puts "Pitch Perfect" to shame. There is inexpiable auto-tuning, fireworks and even some shirtless acrobatic valets, because why not?

It's often hard to see comedies for what they are, or what they might be, on first viewing. But "Eurovision" is that rare film that strikes the right chord from the start.

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