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posted: 3/10/2014 5:30 AM

NBC wants viewers to 'Believe' in Abrams' latest

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  • Tate (Jake McLaughlin) tries to protect Bo (Johnny Sequoyah), who harbors special powers she can't completely control, in NBC's new drama "Believe."

      Tate (Jake McLaughlin) tries to protect Bo (Johnny Sequoyah), who harbors special powers she can't completely control, in NBC's new drama "Believe."

  • Milton Winter (Delroy Lindo) must safeguard a child (Johnny Sequoyah) with mysterious powers in the new J.J. Abrams' drama "Believe," debuting March 10 on NBC.

      Milton Winter (Delroy Lindo) must safeguard a child (Johnny Sequoyah) with mysterious powers in the new J.J. Abrams' drama "Believe," debuting March 10 on NBC.

 
By Kate O’Hare, Zap2it

One theme that runs through much of J.J. Abrams' work as a writer and producer is family, from the ad hoc families of the college students on "Felicity" and the castaways of "Lost" to the father-daughter drama of "Alias" and the father-son drama of "Fringe." Whatever situation the characters land in -- and some of these shows have very fantastical premises -- the core of the story is people struggling with, or forming, close family bonds.

Expect more of the same when Abrams' latest project, "Believe," premieres Monday, March 10, on NBC. Created by Alfonso Cuaron ("Gravity") and Mark Friedman for Abrams' Bad Robot Productions -- with Jonas Pate and Hans Tobeason as the current showrunners -- it centers on 10-year-old Bo (Johnny Sequoyah), a precocious girl who was also born with a range of unusual powers, including levitation, telekinesis and precognition. But she's not fully in control of what she can do, and there are dark forces in the world who would like to exploit her, led by Roman Skouras (Kyle MacLachlan).

So her protector, Milton Winter (Delroy Lindo), turns to an unlikely person -- wrongfully imprisoned death-row inmate Tate (Jake McLaughlin) -- to be her guardian as they move from town to town, one step ahead of danger.

There's even a little sibling rivalry in Winter's group. Says Jamie Chung, who plays Winter's protegee Channing, "I have a trust in Winter and his decisions, but I think Tate's a brute. I think I would be a better candidate."

As for playing a surrogate dad to Bo, McLaughlin, an Army veteran who was injured fighting in Iraq, says, "I'm not only a dad (in real life) but a dad with a daughter the same age. My daughter's 11."

Says Sequoyah: "He basically treats her the same way he treats me."

"I'm not mean," says McLaughlin. "I'm a nice guy."

"I'm trying to train him," says Sequoyah.

"Table manners," says McLaughlin. "We're working on that now."

Although McLaughlin is a father, Tate is thrown in at the deep end of unknown waters. "I'm put in a situation," says McLaughlin of his character, "where I'm extremely reluctant to take on that role. I'm trying to get out of it at every corner. I don't know how to deal with kids. I don't like kids. I don't have anything to do with that. As the show continues on, you'll see that there becomes a level of attachment from both of our sides."

Even though the situations are often life and death, Bo never stops being a kid, and Sequoyah likes it that way. "The thing is," she says, "you think Bo would be all serious, but she's not. When a serious scene is going on, she'll be dancing. They don't play her as a serious person unless something really serious is going on. Most of the time, she's happy."

But there's a downside to being so young. "A lot of the powers," says McLaughlin, "they're manifested through an emotion that she's not controlling."

Meanwhile, Channing has her own feelings for Sequoyah. "It's not maternal," Chung says, "but it's more like a big sister kind of relationship."

"If you talk about the whole parent thing," says Lindo, "I bet that, if you asked each of us, in terms of our desires for Bo, our ambitions for Bo, they would all have some parental element."

And that even goes for Skouras, who has his own reasons for wanting to control Bo's evolving abilities.

"If Skouras is really committed to the positive things that he sees," Lindo says, "that he can influence in this young lady's life, and I see the same thing -- we're coming at it from two very different places."

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