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Conflicts between obligation and self-interest, between assimilation and isolation, propel “Mojada,” Luis Alfaro's retelling of Euripides' “Medea” in its world premiere at Victory Gardens Theater. This isn't the first time Alfaro has re-imagined a Greek classic as a contemporary Latino tragedy. Alfaro knows his source material and his subject. His observations about immigration — from the fear of detection to the desire to secure a legacy for oneself and one's family — are as immediate as today's headlines.